Red Heart I – 2016

Red Heart I for 2016

A petite sweet gift that will fit anywhere and let that special someone know they are loved whenever they look at it.

This is the first in a planned series of red heart images. Hearts are special to me, for love, and because they are part of my name.

This piece took more than 4 hours to weave, it needed to be repeated a second time with a different weft thread combination to get it to weave squarely. The heathered look is caused by the fact that it was woven with four threads of different colors.

It was woven on a drawloom, threaded with 30/2 cotton with a sett of 48 ends per inch.

 

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Irish Shamrock I -2016

I wanted a piece that would be green and have a Celtic feel. What better to convey this than a Shamrock?

The background is filled with leaves.

The design is a marriage of motifs, large leaves and the darker outer border of leaves.

This piece took more than 10 hours to weave and I was very pleased with the design as it was forming on the loom. It looks like a fine lace from a distance.

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It was woven on a drawloom, threaded with 30/2 cotton with a sett of 48 ends per inch.

There are only four of these images available for sale in the shop: Click here to purchase yours:http://historicweaving.com/wordpress/products-page/handwoven-art/irish-shamrock/

 

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Welcome

Let us begin our travel through time together.

I have a passion for weaving, and the history that surrounds the art form. Yes, I did call it art, because for me that is what I am making, Fine Art.

This website is designed primarily to share information that I have gathered about weaving in my weaving career.  It is intended to be a compendium of information about equipment, design, structures, projects as well as lessons I have learned along the way.

My passion involves studying weaving as it was done between 1600 – 1865 in both Europe and the United States.  I will admit I am not a purist, everything that I produce is not an attempt to produce a museum quality reproduction of a fabric that I studied. I like to work like most modern musicians, study the classics, and then develop my own design using materials available to me.

The loom you see here is Queen Esmeralda, she sits in my living room, and I began weaving pictures on her in 2016.  She is the size of a 150 Ford pickup truck, and may be the most complex loom that you will find in the state of Montana. As you look her over you will discover there are no computers or power cords. She is a hand loom in the truest sense of the word.

How I hope you will use this site:

In the Design tab I will discuss how I design my weaving projects.

In the History tab will be information and links to stories about looms, weaver and their histories.

The Looms tab, you will find information about looms both new and old.

Open the Techniques tab, and you will see how a design evolves and what processes are used to move it forward.

The Resources tab contains a searchable database with links to textbooks, articles and projects that you can use. What make this database special is that it will show you where to acquire the materials, either through purchase or a local library. This is where most of my research will be made available for others to use. You can use words to describe the structure, the loom or the weaver and search for materials that contain that reference.

From the Weaving Ideas tab you will learn where do weave get their ideas? How do they change from first glimpse to final project?

Weaving Instruction tab is where to find the teachers and classes that will help you to be a better weaver.

In the Drafts tab, is a visual library of weaving drafts arranged by number of shafts needed to weave them.

The About Me tab is where you will find my artist statement and contact information.

Current Projects:

100 Loom Tour – click on link to find out more.

Disclaimers (the fine print):

When I discuss equipment, and how it can be used I am not attempting to be the ultimate historical resource, there are many in the academic community that are better at this pursuit than I am. My intent to give the viewer an idea of the type of equipment and its basic construction. I may make use of images in the public domain in an effort to place images in a context that the viewer can relate to.

Regarding copyright, it is not my intent to reproduce any printed or digital copyrighted material other than to explain to a viewer how best to acquire these materials. I will use links where possible to digital works to give credit to their proper

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The Three Heart Tree for 2016

Three Heart TreeA new design for the 2016 holiday season.

What made this project special is that I wanted to include my signature 3 heart logo in this tree.

I also used this as one of my first efforts at polychrome Opphamta weaving. I used small cardboard pieces as bobbins.

This piece took more than 8 hours to weave, while it is small 3″ x 3″; there was a lot of a hand work to be done to complete the image. At one point there were 21 bobbins in play.

It was woven on a drawloom, threaded with 30/2 cotton with a sett of 48 ends per inch.

Image of drawloom that is used to weave three heart Tree

Image of the drawloom while the piece three heart tree is being woven

As you a see from the draft image, I have made special adaptions to my drawloom to make it easier for me to weave complicated designs.

This design requires 31 draw shafts to weave.

There are only four of these images available for sale in the shop: Click here to purchase yours:  http://historicweaving.com/wordpress/products-page/handwoven-art/3-heart-tree-2016/

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