Two Tie Unit Weave – Variation 3

The latest work on the loom. Variation 3 of my two tie unit weave.  I am working with a “olive/avacado” green cotton thread for the pattern weft. The design deign is a new one I have recently completed. I was looking for a contemporary feel and I believe that I have achieved that. The weaving is pleasant and easy to follow.

Interweave Store

This is just one of the 10 items in my production run on the AVL loom this Spring. Look for it to appear for sale online – on this website sometime this summer.

Using Perler beads to design a tie-up

I have been working on a warp that will include 10 different designs on my AVL loom. This warp has been set up to be a two tie unit weave. The warp will handle 16 shaft patterns in a point twill layout. Because I have a standard threading and a standard treadling, all I need to change will be by tie-ups and the color of my pattern threads.  Pretty simple weaving.

I made the designing easier by using Perler beads to lay out the tie ups and tested the symmetry using a pair of quilting mirrors.  I have labeled this tie-up variation 6.  There are four more designs in the series to go.

Jennifer’s Draft Number #2

Jennifer wrote to me and asked me about this draft she had found in a file. She was not familiar with this particular draft and wanted to learn more about it. My first step was to look at the blocks – the areas separated by the long lines. Most of the sections have 4 lines in them in two rows. It appears that this draft is on four shafts. Likely it is an overshot draft.

I looked at the sequence of the blocks, reading from the right to the left,  A block has lines on shaft 2 and shaft 4, B block has lines on shaft 2 and 3, C block has lines on shaft 1 and 3, D block has lines on shaft 1 and shaft 4. Looking through the rest of the draft the are no other combinations of lines. Our Draft has 4 blocks. I then could label the blocks on a piece of paper

I then wrote the draft out in my notebook, matching the lines and the threads by the block I identified.

I then translated this into a profile draft by substituting  the A Block for shaft 1, the B Block for shaft 2, the C Block for Shaft 3 and the D Block for shaft 4. Because some of the blocks had 4 threads and some only 2. I decided to use two threads to represent the four thread blocks, and one thread for the half block. I treated the 3 thread block as a two thread block for the profile.

I set the tie up to ABCD, to match the blocks.

I then selected tromp as writ, and colored the warp a contrasting color to make the design appear.

While I was entering the draft into the iWeaveit program, I noticed that some of the draft was not even (balanced) I adjusted the draft to make it even.

I had found one place where the draft did not move sequentially through the blocks. Usually overshot moves in a circular fashion through the blocks, jumping blocks can cause long floats to appear. You can see the area on the on the bottom line towards the left edge the block moved from D to B and back to D again. This is in one of the short blocks. This is not the way the other side of the block is, and so I adjusted it to match the beginning of the block sequence.

At this point you can not weave the pattern, but you have a fairly good idea of what the design will look like when woven.

The blocks in the threading move gracefully from left to right and the designed when woven will have that characteristic of a 45 degree diagonal line from bottom right to top left.

When this design is woven it will need to have a border and a number of repeats to match the size of the fabric desired. To repeat the design you would start from the top right of the threading and enter that sequence after the last thread on shaft 4 in the draft.

At this point, you are missing the threads for the ground cloth. The tabby weave.

To weave this pattern I will need to decide what structure it is, and then change the draft to have that threading arrangement.  I will show you how I do this in the next blog update.


This is a quick look at the profile draft as it is repeated.

There are tables (the big blocks) and smaller blocks in the middle. The pattern will look like the checkerboard you see, to prevent long floats.

I am sure this pattern can have variations. This is a sample of what it would look like if it remained symmetrical.




Vision Board for Angstadt 164

Today was a fun sick day. I woke up not feeling well (cough,cough) and knew that going out was not going to happen. My next stop was the computer where I decided to play with the design that I shared with you last week.

My goal, to turn the draft into a welsh tapestry design. I think I did pretty well. My best news of the day, it is possible for you to order this design as a throw in a few weeks. I have made contact with a company that allows me to create a design and they will weave it on their Jacquard loom. I am in wonderment!

It has taken me a couple of tries to get the hang of how to set up the files so their system will run them.  I can’t wait to order my first samples and see how they turn out.

The website is WOVNS.  Brand new — only six months old.

I completed a whole vision board today. You might want to take a look — it is a pdf file. Vision Board – Angstadt 164 Should you be interested in these designs for some of your projects please let me know by email.



Update to the Replacement Dish Towel Project

This slideshow requires JavaScript.

After a long time, almost a year. I finally had the time to get to this project. As I did, I discovered that I had set up my loom incorrectly and was not able to weave until I fixed the installation of the friction brake, and the clutch for the cloth advance. Thank you to wonderful people on the Weaver’s Tech list.

During this process I did decide on an initial draft of the first towels. It is based on two different Jacob Angstadt designs, both are 12 shaft pointed twills blocks. I wanted to get a checkerboard effect without needing to use two shuttles. This was made possible by reversing the tie-up blocks.  Now to the real work, weaving!

The Replacement Dish Towel Project

The replacement dish towel project began when I discovered that my old towels had become stained, and a bit dingy as the result of a man being around the house. He seemed to forget they were handwoven and used them to mop stains on the floor, clean up snow mixed with granite gravel and asphalt, and of course, wiping the stove top off after cooking a spaghetti dinner. Like all men, he just wants to be forgiven, and like all women I just want my pretty dish towels back.

My first steps were to look around the kitchen and discover the colors I wanted to use. I happened to have purchased some beautiful denim blue 16/2 cotton, and have some yellow and white cones of thread. My first thoughts were to make the towels mostly blue in an effort to hide future dirt. I  began wrapping thread on to cardboard strips to see what stripes I was most interested in. I found the wrapping task to be a bit tedious. Of course, I made the mistake of letting someone else in on the project, only to discover that they are not so interested in the blue background. They really like the yellow which matches the kitchen walls.

I then scurry around on the internet and search for blue and yellow striped towels to get some ideas. In the process I discovered a few great design tools. A Stripe Generator, a Tartan Designer and a Color Picker. All are awesome diversions – yet none of them output to weaving software and thus none directly suited my needs. Back to the old fashioned way of doing things for now.

I then made some sketches of the stripes that I found  on the Internet for my purposes, I found my stripes by Googling for blue and yellow striped towels and selected the entry that displayed images, it looks a lot like Pinterest and I could just flip through the pictures looking for my favorites. I eventually decided that there were so many I wanted to try to make, that I should make my design using an all white warp so that I can change stripes whenever I like.

Me being me, I can not weave in a plain weave when I have a loom that has 24 shafts! So I selected to use a 16 shaft point twill as a base structure. I learned during my stay in Italy, that I am happiest with twill and damask weaving and it seems to come naturally to me. I will use as my inspiration for the structure, Angstadt 16 shaft twill profiles.

So far I have determined that I will be using white 10/2 perle cotton in the warp, 8/2 unmercerized cotton in the weft, and various colors and widths for the colored stripes.

I have selected a beginning sett of 20 epi based on my previous experiences with this structure. I have chosen to weave this on my AVL loom using the compu-dobby to help me pick the pattern and I will have to concentrate on the weft color changes manually.

I have decided that I will be weaving 18 towels in all and therefore will be winding a warp 15 yards long on the sectional beam.