Have you wondered how you could construct enough DIY looms that were affordable for a group students to use?
I have the answer for you, try my six dollar loom. It can be constructed out of parts found at a local hardware store and does not require fancy tools to assemble. It is adjustable, transportable and able to be disassembled flat for storage.
I designed this loom this year for a weaving class at the local library, I was able to produce 20 units for $120 in parts. The hardware parts are also available in bulk from McMaster-Carr allowing you to save even more money if you happen to need even more.
It is as sturdy as a Hockett loom, it is also flexible in that you can easily modify the sett for weaving. My instructions include suggestions for the threads to be used for your very first project.
I will be using this loom design to develop more weaving lessons to be used in the classroom.
The first project is a bookmark, that is expected to take 30-60 minutes to weave in a classroom of new weavers.
It has a been a few days, and I can finally take a breather from weaving and file a report on my progress. My current configuration is successful. I can handle up to 100 threads, I wove a test length of 5 1/2 yards with no tension difficulties. No broken threads, no frustration and no errors.
I modified my loom design to include a creel arrangement rather than use the bobbins to create a “sectional” beam. The sectional beam idea had developed tension problems the longer that I wove on the loom. Using the creel option, I accomplished a few important things. The length the the material to be woven is controlled by the amount of thread on the bobbin – bobbins can be changed out as needed. The creel tensioning arrangement I designed permits fast assembly and easy rearrangement without tools. I used one creel box for unheddled threads and another for the heddled threads. Each creel box has a capacity of 30 threads. I also had the ability to adjust tension of each thread individually if necessary. The creel design simplified the loom design considerably.
The loom is now principally a structure on which the creel threads are dressed for weaving there are no warp beams needed. I used the same coroplast structure as before and left the wooden dowels and the existing “cloth beam” in place.
The blue tape, was used to cover the slots I had made in the loom in order to insert and remove the sectional beams during my earlier design tests. I used painter’s tape to ensure that the fine threads would not stray into the open slots while threading.
I also picked up a couple of tricks that made using this loom design even more inviting. Simplicity has a product called the SideWinder – a portable bobbin winder. I made use of this tool to wind my bobbins for this project. I also picked up a inexpensive yardage counter by Boye that made it convenient for me to measure the thread as it wound on to the bobbins. I placed the spools of thread on a spindle in the creel, threaded the thread through the yardage counter that was held to the work surface by suction cups, and continued the thread through the bobbin winder as specified in its instructions. Thirty nine bobbins with just the right amount of thread in less than 15 minutes. Awesome.
Threading the loom was a breeze. I lined up the bobbins matching the inkle draft, drew the thread through the holes on the sides of the creel next to the bobbin. I then threaded the top creel through the heddles and alternated it with a thread from the bottom creel. I was ready to weave in less than an hour.
The creel was made using a package of foam hair rollers cut into “washers” , 12″ pieces of all thread, and sewing machine bobbins. The case for the creel was picked up at a local dollar store. Its primary feature is that its perforations held the all thread rods and the length would support 15 bobbins. Please use the comment box and let me know if you are interested in obtaining plans for this loom.
I have been preoccupied with loom design in the past couple of days. There are things about a traditional inkle loom that just bug me. Remember, I am fine thread weaver by nature! To me regular tapestry looks like burlap. My problem has been that inkle looms are so much overkill (too much wood, too bulky) if you want to weave pretty little hair ribbons. I also hated the fact that you had to thread everything on the loom before you got started (one thread out of place and you had to start all over) and the fact that so much of the design was warp dependent (too much commitment.)
I have been playing what if: I want to weave lengths of ribbon that could be longer than a traditional inkle loom permits (enough to trim a dress), what if I wanted to change colors midstream? Can I handle supplemental warp(s) in such a way that I do not have tension problems over time. What if I wanted to handle 100 threads not 36? What are the cheapest materials I can find that do not require the services of a woodworker. (I don’t have my own private carpenter). Can I use recycled materials? Will this loom be portable? Can the loom be taken apart for shipping or storage?
I have found that I can create a creditable ribbon loom that meets my needs out of some pretty humble stuff I found at my local HOME DEPOT.
A Blank Coroplast Sign
#8-32 Threaded Rod 12″
#8-32 Wing nuts
3/16″ Wooden Dowels – 12″ long
drawer knobs – that fit the #8-32 threaded rod.
Other things I had at home:
sewing machine bobbins – old straight ones are fine I used some of the metal ones.
Empty sewing thread spools.
Tools I used:
Scissors (the little Fiskars type) to enlarge holes in coroplast
Exacto knife and blade (to cut coroplast)
An inexpensive small hacksaw (to cut threaded rod and dowel) I picked up the $8 one in the store. It had a handle and a blade – no fancy stuff.
A sharpie – to mark cutting lines
A 3″ wood screw — used as an awl to start the holes in the coroplast. Requires little hand pressure. Finished heavy work with the scissor.
A French Curve to get pleasing curves on the sides of the loom.
I’m still tinkering with the design so I am not quite ready for print out final measurements. It is my intention to share this from this post when I am sure that it will work for most people.
The yardage counter was used when I wound thread from spools to bobbins. It does work nicely. My bobbins also fit on this dowel nicely for transfer to the “sectional” bobbin on the loom. It would be great to have a baby tension box someday for winding these packages.
So far, I am pleased with the weight, size, and the fact I can adjust the tension individually on each bobbin. The weaving area is about 8″ long. I have a great shed. It took only a few minutes to thread and get started.
I am modifying the design to make it easier to change the bobbins on the fly. I have found you can use existing inkle patterns or make use of standard weaving drafts. I will be exploring more pick-up work and additional shaft control options shortly. My goal is to be able to make beautiful silk ribbon by hand.
I had a great loom experience this week. I was asked by the children’s program director of my church to look at a loom she had rescued and to see if I could set it up for children to weave on during Sunday School. I walked into the room on Tuesday and discovered this treasure, a 45″ Leclerc Gobelin Tapestry loom. After careful examination I can see that it is missing a few parts, but could it still be used for weaving in its present condition?
I did a little research on the internet, only to find that instructions for warping the loom are not available for free. There were two books that were suggested by Leclerc and they cost $35 to download. Not a good option for me at the present moment – this is a no-budget project.
My SIMPLE warping instructions for this loom:
Warp it in a continous warp (best recommend for even tension). I elected instead to warp it in 2″ sections – with a goal of 6 ends per inch. (I did not have clearance to pass a ball of thread between the apron rods.)
Warp Path: start warp on top apron rod, pass to front of bottom rod and cross under the rod – being careful to avoid the apron string. Run the warp up to the top of the apron rod on the back side of the loom, pass warp to the front. (This will create a two layer warp.)
Creating lashes – Use a rod – My rod came with the cords already wound on it. (there is a straight heavy cord that runs parallel to the rod and a second cord that is wrapped around the rod over the straight cord.) Pass the lashing cord under the straight thread on the lease stick, and bring it to the back of the cord on the bottom of the two warps. The cord does not need to be tied to the warp, just pass behind it and be able to pull it up when needed. Suspend the lash rod above the weavers head but with in easy reach. Let the lashes hang over weavers head loosely.
Loom operation : Pull on the lash cord gently to bring the warp forward. To expose the top warp after weaving, gently push the lash rod towards the loom to release tension on the rear warp. Best weaving will be in small handfuls, beaten with a tapestry beater or comb.
I had the opportunity to purchase a pin loom this weekend as a result of a trip to lovely Butte Montana. The day was quite enjoyable, if a bit chilly from the snow flurries. I really did not have the expectation of picking up a pin loom that day, but when I discovered it in the clearance area of a Jo-Ann’s store for 25% of its retail price, the bargain hunter in me was hooked.
I brought it home and waited until dinner was complete, and cleared away. I brought it out and looked at the instructions. All I wanted to make was a simple pair of baby socks for a grandbaby that is due in the next couple of months. I figure just a couple of hours of work. Right? Oh, so so wrong!
I began my project by watching the video and casting on and learning how to do the knit and the purl stitches on the loom. I noticed a couple of issues for me right away. It is difficult to reach the middle area of the sock when it is set to a small size. Two start over’s and more than 8 hours later, I looked at the project and it was not all that I hoped for.
I am not a great knitter (I am a weaver). I can read and follow patterns, but often it is the counting that gets the better of me. But give me credit, I pulled out my trusty (rusty) double point needles, cast on and got started. Finding the locations of the purl stitches on the needles was easier to remember — I divided the stitches evenly so that I knew the two purl stitches were on the outside ends of the needles and never in the middle. On the pin loom I needed to use some sort of marker – the red post it tab. In less than three hours I had this sock halfway knit. Note that you are seeing the right side of the sock in this picture, but when I am knitting the right side is on the interior of the needles. (Experienced knitters don’t snicker too hard, I am handicapped – I am left handed.) I always have to peek inside to see what is going on. I completed the sock tonight with only minor trauma, when I picked up the knitting after taking this picture I forgot to turn it inside out before starting to knit… I had a four rows of purl stitches before I realized it. Off come the needles, and out come the stitches —(I was almost in despair except for a friendly crochet hook to save the day). Weaving is easier than this. Here is my final sock, a spiral tube. Has anyone woven a baby sock, and how did you accomplish your magic feat?
My assessment: the sock loom is nice and sturdy, and it works according to the instructions that come with it. It is probably designed for someone who is a bit skinnier than I (children’s – teen’s socks). According to the directions I need to cast on 88 stitches to make a sock for myself and my loom is not that big (you can only cast on 60 stitches) The loom gauge is 7 stitches per inch. The actual knitting is not difficult – the rhythm is addicting once you get going. But it is more time consuming that I thought. I think I’ll stick to the knitting needles for this particular task this time.
I have one more experiment to do with this loom, see if I can weave a bookmark on it.
Beautiful bands with a thousand uses. Many cultures weave bands but few weave them with the style of Scandinavia and Latvia. The materials needed to weave these bands are simple and readily obtainable. There are groups dedicated to this type of weaving. The Braid Society in Europe and TWIST in the United States.
On the society websites you can find galleries of woven bands and instructions on how to get started weaving in this tradition. I also found a course being offered by the North House Folk School in Minnesota in May of 2013 that you may be interested in taking if you are in the area.
While the bands are traditionally woven on backstrap looms they also can be reproduced on a standard loom if you happen to have one handy. The image on the left is a Latvian design that I wove in a wide band on my AVL loom. The most important consideration to remember is that a pattern thread is twice the thickness of the ground thread. A traditional belt, band or sash is often woven using wool. My experiment was woven in cotton.
I have also been able to weave this style of band on my Morgan loom without using a rigid heddle or tablet cards.
I was able to make use of red and white beads to identify pattern threads and modified my draft to make weaving easier for me.
Here is a copy of the draft that I made for weaving the belt.
The Weaving Library website is a European version of the Handweaving.net for silk and dobby weaving. If you are into looking at antique and modern silk weaving and learning about textile analysis which included photos of swatches of the weaving drafts, this is the place. A good percentage of the material is presented in French and will required knowledge of european drafting methods, but there are areas in which you can find English translations. The site appears to serve historians, and commercial weavers alike. The site offers some PDF files of original texts for download many of these are in French. My primary interest in the site is to continue to get inspiration for historic drawloom weaving.
One of the most important books on handweaving by Mary Meigs Atwater. In it you will learn the basics of inkle and tablet weaving.
Byways in Hand-Weaving
Author / Editor: Atwater, Mary Meigs Publishing Location:Publication Date: 1954 and 1988
Publisher: Shuttle-Craft Books Pages: 128
Description of Contents:
Traditional patterns from around the world for small or off-loom weaving. This book, which has been used extensively as a reference for some obscure techniques includes information on equipment and materials, as well as drafts and designs for card, inkle, and a variety of belt loom weaves. Twining, including Maori and Persian, and braiding and knotting techniques from India, Egypt, China, Peru, the Philippines, and some Neolithic times are included. There are card-weaving patterns and techniques from Egypt, Finland, and Armenia. Included with “inkle” weaves are those from Europe, as well as some Navajo and Mexican weaves, and those from Central and South America. Estonian and Peruvian bag weaves are compared. Other little-known weaves included are that for an African girdle found in the Atlas Mountains, a Scandinavian warp-faced weave, and some Egyptian warp-faced weaves, including the draft for the so-called “Girdle of Rameses”.
Find out more - what people made, and how they did it
Cardboard loom weaving is an inexpensive way to get started weaving. Your material costs are very minimal, and even young children are able to participate. Weaving is an activity that can easily occupy a restless child on a rainy afternoon. The added bonus is that you can make something both beautiful and useful.
My favorite book about cardboard weaving is:
Weaving on Cardboard: Simple Looms to Make and Use
Instructions for constructing and using simple looms made of easily obtainable, inexpensive cardboard to introduce weaving to those inexperienced with the craft. While many of the instructions are for weaving with a needle or varieties of finger weaving, there are also instructions for building and using weaving cards.
Find out more - what people made, and how they did it
Tartans are a big hit around St. Patricks day, this book will guide you through setting up your loom and weaving traditional tartan plaids. Scotch tartan setts: A Shuttle-Craft Guild guide for weaving 132 traditional plaids.
Scotch Tartan Setts: a Shuttle-Craft Guild Guide for Weaving 132 Traditional Plaids
Author / Editor: Douglas, Harriet C. Publishing Location:Publication Date: 1949
Publisher: Virginia City, Mont.: Harriet C. Douglas Pages:
Description of Contents:
Find out more - what people made, and how they did it