This has been a design project of mine for the past few weekends. The project began with me wanting a fairy garden for the office, something that was compact, yet flexible. Something that I can add to or take away from to suit my mood. I wanted the best of a Zen garden, a fairy garden and gnomes. It was a bit of a challenge to scale things correctly. But in the end I am pleased with how it turned out.
If there is a call for it, I can make one for you for $25 plus shipping. (It fits in a USPS box). Comes in 8″ or 9″ plastic container. Click Here to order The Ultimate Garden.
If you prefer to do the making yourself I can send you a pdf on how to make one. Cost of the pdf is $1.
Get information on people who offer weaving instruction. Look for your favorite classes and fiber events. I am featuring classes from all over the world.
If you are a weaving teacher and are interested in having your course information in this magazine, please send me an email with the details.
I am very much still a weaver. It is hard to explain all that has been going on in my life, much of it did not pertain to weaving. But I can safely say it is time to return to my roots. I finally have sustaining employment and no longer feel the need to hustle from day to day. My weekends are becoming times in which I can once again pursue my love of craft! So, posting will begin again.
The image attached to this post is from a scarf I designed and my daughter wove over the holidays. The material used was a recycled chenille (dark) and a boucle for the white. Comparable yarns can be found in your local craft store. Or you can find an ugly sweater that still feels good to the touch at a second hand store, unravel it and use it as your recycled thread for this project. Be sure the sweater is still in good condition.
The pattern is a houndstooth — #57 from “A Weavers’s Book of 8 – Shaft Patterns” by Carol Strickler p19. It was woven on my 20 year old 8 shaft Schacht table loom. During the weaving I lost a cord that ties the handle to the shaft. I simply replaced it on the fly and continued weaving. My loom still weaves beautifully after all these years.
The warp for this loom was 3 yards long, because of the expected take up in the weaving process. I used my 12 dent reed, and the sett was 12 epi.
It is hard to believe that I took up weaving in 1992. Twenty years, and still not a weaving professional. I think thats ok, I still love the art. And with steady employment can still afford to tinker in my studio. Life is good!
This magazine organizes information directly related to inkle weaving. Everything from weavers blogs, lessons on inkle weaving, looms, and projects. A must have for someone just starting out, or someone who is interested in having a lot of information organized just for you.
Details of the design of a DIY ribbon loom that fits on a table, handles up to 100 threads and has virtually unlimited weaving length. Total cost to build loom is under $20 all parts are available from dollar store and hardware store. The loom will assist the weaver in making fine thread ribbons at home.
Building a ribbon loom – DIY project, a cross bread of Inkle loom and large loom technology and materials available from the local hardware store or garage. Goals: create a loom that does not have a maximum 11 yard limit for weaving. Reduce thread waste, increase portability and control of warp tension. Keep cost of parts under $20. No glue required.
An old pattern in overshot weaving that has had many names over time: Muscadine Hills, Hickory Leaf, Blooming Leaf. The Double Bow Knot name comes from the leaf like square that forms the larger portion of the design. The dark square is called a table. Because there are two motifs used the pattern it may be most properly described as a Double Bow Knot and table design.
This design can be woven with only four shafts in an overshot structure. Overshot blocks can share shafts, which is what makes them so efficient. It is a structure that will require you to have planned your design carefully before you thread your loom. The threading typically is the most limiting design factor.